Aug 05, 2022
PGA Tour Wyndham Championship Scores
This news has been received from: wtop.com
All trademarks, copyrights, videos, photos and logos are owned by respective news sources. News stories, videos and live streams are from trusted sources.
mail: [NewsMag]
Brandon Wu 64-67_131
Joohyung Kim 67-64_131
Ryan Moore 65-66_131
Russell Henley 67-65_132
John Huh 61-71_132
Sungjae Im 63-69_132
Brian Stuard 65-68_133
Anirban Lahiri 66-67_133
Davis Riley 67-66_133
Andrew Putnam 70-64_134
Satoshi Kodaira 68-66_134
Blake McShea 69-65_134
Brett Drewitt 67-67_134
Martin Trainer 67-67_134
Alex Smalley 65-70_135
Matthew NeSmith 66-69_135
Max McGreevy 68-67_135
Zach Johnson 67-68_135
Tyrrell Hatton 68-67_135
Richy Werenski 70-65_135
Chesson Hadley 69-66_135
Cameron Percy 65-70_135
Aaron Wise 65-70_135
Ben Kohles 65-70_135
Peter Malnati 64-72_136
Christiaan Bezuidenhout 66-70_136
Taylor Moore 69-67_136
Kevin Tway 67-69_136
Lucas Glover 70-66_136
Billy Horschel 67-69_136
Kramer Hickok 66-70_136
Scott Brown 70-66_136
Charley Hoffman 68-68_136
Brian Harman 67-69_136
Keith Mitchell 68-68_136
J.
T. Poston 66-70_136Martin Laird 69-67_136
Henrik Norlander 69-67_136
David Lipsky 68-69_137
Lee Hodges 66-71_137
Joel Dahmen 69-68_137
Si Woo Kim 69-68_137
Rafa Cabrera Bello 65-72_137
Yannik Paul 71-66_137
Will Zalatoris 71-66_137
Kiradech Aphibarnrat 72-65_137
Sam Ryder 67-70_137
Harry Higgs 68-69_137
Vaughn Taylor 69-69_138
Taylor Pendrith 71-67_138
Nick Taylor 67-71_138
K.H. Lee 67-71_138
Robert Streb 69-69_138
Stewart Cink 68-70_138
C.T. Pan 68-70_138
Adam Scott 68-70_138
James Hahn 70-68_138
Scott Stallings 67-71_138
Ben Griffin 69-69_138
Michael Gligic 65-73_138
Justin Lower 72-66_138
Luke Donald 70-68_138
Jared Wolfe 68-70_138
Adam Svensson 70-69_139
Hayden Buckley 72-67_139
Russell Knox 70-69_139
Kelly Kraft 66-73_139
Corey Conners 70-69_139
Shane Lowry 71-68_139
Chris Stroud 69-70_139
Aaron Rai 70-69_139
Jason Dufner 66-73_139
Jonathan Byrd 70-69_139
David Skinns 70-69_139
Callum Tarren 70-69_139
Joseph Bramlett 70-69_139
Doc Redman 68-71_139
Stephan Jaeger 69-70_139
Brendon Todd 68-71_139
Justin Rose 73-66_139
Chez Reavie 68-71_139
Scott Piercy 69-70_139
Mark Hubbard 70-69_139
Rory Sabbatini 68-71_139
Patrick Rodgers 69-70_139
Harold Varner III 70-70_140
Sebastián Muñoz 67-73_140
Rickie Fowler 71-69_140
Matt Wallace 71-69_140
Kevin Chappell 70-70_140
Kevin Streelman 72-68_140
David Lingmerth 69-71_140
Ryan Brehm 66-74_140
Michael Thompson 71-69_140
Tyler Duncan 70-70_140
Patton Kizzire 71-69_140
Jim Herman 70-71_141
William McGirt 70-71_141
Greyson Sigg 73-68_141
Curtis Thompson 75-66_141
Seth Reeves 75-66_141
Tommy Gainey 73-68_141
Doug Ghim 69-72_141
Hank Lebioda 69-72_141
Chad Ramey 70-71_141
Sung Kang 69-72_141
Ben Martin 71-70_141
Brice Garnett 67-74_141
Dawie van der Walt 70-71_141
Ricky Barnes 74-68_142
Austin Cook 69-73_142
J.J. Spaun 71-71_142
Bill Haas 68-74_142
Nick Hardy 70-72_142
Vince Whaley 67-75_142
Camilo Villegas 71-71_142
Adam Schenk 69-73_142
Andrew Landry 74-68_142
Cameron Champ 71-71_142
Roger Sloan 70-72_142
Matthias Schwab 74-68_142
Denny McCarthy 72-71_143
Cole Hammer 70-73_143
Aaron Baddeley 71-72_143
Harris English 69-74_143
Andrew Novak 70-73_143
Chase Seiffert 70-74_144
Garrick Higgo 73-71_144
Davis Love III 70-74_144
Danny Willett 75-70_145
Scott Gutschewski 76-69_145
Nick Watney 74-71_145
Mackenzie Hughes 67-78_145
Tommy Gibson 72-73_145
Mickey DeMorat 72-74_146
Jonas Blixt 75-71_146
Jim Knous 73-74_147
Bo Van Pelt 75-73_148
Rick Lamb 78-70_148
Grayson Murray 73-76_149
Robert Garrigus 72-77_149
Wesley Bryan 74-75_149
Dylan Wu 74-77_151
Sepp Straka 78-75_153
Bo Hoag
Chris Gotterup
Austin Smotherman
Joshua Creel
Trent Phillips
Paul Barjon
SCORE THRU
Brandon Wu -9 18
Joohyung Kim -9 18
Ryan Moore -9 18
Russell Henley -8 18
John Huh -8 18
Sungjae Im -8 18
Brian Stuard -7 18
Anirban Lahiri -7 18
Davis Riley -7 18
Andrew Putnam -6 18
Satoshi Kodaira -6 18
Blake McShea -6 18
Brett Drewitt -6 18
Martin Trainer -6 18
Copyright © 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, written or redistributed.
News Source: wtop.com
Tags: russell henley martin trainer davis riley
Anne Heches Ex-Husband Coleman Laffoon Is a Realtor
Next News:
Rebecca Hall’s 7-Minute Monologue in ‘Resurrection’ Is a Tour de Force
Show, don’t tell. Normally, that’s a cardinal rule in movie-making—at least for everyone other than Aaron Sorkin. Using copious amounts of dialogue can be seen as a narrative crutch, a missed opportunity for actors to use their bodies to tell the stories on the page. This is what can make monologues so powerful in the right context; when an actor is so skilled at revealing details on their face and in their body, the chance to shine through both word and whim can be harrowing.
Such is the case of Rebecca Hall’s gripping seven-minute, one-take monologue in Resurrection. It is not only the film’s most staggering moment, it’s one of the best performances in a film this year.
Resurrection follows Hall’s character Maggie, a mother and businesswoman who has resigned to quiet life with her daughter, Abbie (Grace Kaufman), who is getting ready to leave for college. One afternoon, she spots David, (Tim Roth) a man from her past that she recognizes sitting a few rows up from her at a conference.
Unsure if what she’s seeing can be real, Maggie flees, sprinting all the way home in a fit of adrenaline-laced fear. After seeing him twice more in public, Maggie confronts David and tells him to stay away from her and her family. David’s response is seemingly nonsensical to the audience, but Maggie understands the strange things he says to her perfectly.
Like they are in most real-life stalking cases, the police are of no help to Maggie, leaving her trapped and unable to tell anyone in her life about what’s happening to her. That is, until late one night in her office, when Maggie’s intern Gwyn (Angela Wong Carbone) stops by her door to say goodnight. Noticing her distress, Gwyn assures Maggie that if she ever needs anyone to talk to, she’s a good listener. Gwyn wants to return the favor after Maggie gave her advice about how to make her feel heard in her own relationship. Maggie looks at her with a wry sincerity. “Do you think you could kill someone?” she asks.
Gwyn says she couldn’t, but encourages Maggie to continue. “Have you ever done something bad?” she asks Gwyn. “I have, unforgivable.” Gwyn and Maggie can both feel the boundaries of boss and employee being crossed, but Maggie has nowhere left to go. She’s bereft, unable to tell her daughter or anyone else in her life the horrors that she’s about to saddle onto Gwyn’s shoulders.
Maggie tells her that when she was 18 years old, she traveled to a research facility in Canada with her biologist parents, where the family met David. “He noticed me,” Maggie says. Hall lets that line land, holding eye contact with Carbone offscreen while the camera lingers on her. Maggie and Gwyn both understand what it’s like to be a young woman in the world, feeling seen for the first time by someone. They also both know how men use that feeling to their advantage time and time again.
Maggie goes on to detail the way that David groomed her. He charmed her parents, worked his way into their everyday lives. It wasn’t long before she moved in with David. “All I knew is that, for the first time, I felt important and appreciated,” Maggie says. “So I didn’t object when he started asking me to…do things. ‘Kindnesses,’ he called them.”
David’s “kindnesses” weren’t of a sexual nature. Instead, they were acts that he used to wear Maggie down slowly over time without her realizing it. Just cooking and cleaning, to start, until he told her to give up drawing, her life’s passion. She obliged every time and he rewarded her. Until the kindnesses evolved and became stranger. Endurance tests, hours of meditation, fasting for days, holding stress position poses. “The more I did, the more inspired he became. Said he could see the future, said he could hear God whispering his name. And I believed him,” Maggie says, and it’s here where Hall’s voice begins to crack.
Instead of looking at Gwyn while she recounts these horrors, she’s dazed and staring forward at nothing in particular, looking back into her memory for the first time in 22 years. Hall confronts and relays all of the darkness of Maggie’s past with such blistering sincerity that it knocks the wind out of the audience. But she’s nowhere near finished.
“Whatever he requested, I could hack it. And if I couldn’t, he’d tell me to burn myself with cigarettes. But I could hack that too.” Hall delivers this blow with resigned acceptance. Her eyebrows are raised and the corner of her mouth moves up just slightly into a surrendered smirk. Maggie can’t believe this happened to her either.
Hall’s monologue tumbles into pure, unfettered terror when she starts to detail what happened between Maggie and David when Maggie realized she was pregnant. The turn that the already-unbelievable tale takes is almost biblical, it’s so astonishing. As you watch Hall impart all of this inconceivable trauma, your stomach sinks lower with dread at each new detail, every new fold in Maggie and David’s relationship that you think could never be possible.
But it all rings completely true because of Hall’s stunning performance. Her commitment to this account is simply breathtaking. When the monologue hits its climax, Hall has slowly worked her gaze up from the floor over the last few minutes and is staring at the camera directly, shedding a tear. She’s begging, pleading us to listen to Maggie, to believe the completely unbelievable. With Hall’s performance, we have no choice but to do just that.
After the monologue is over, there is a continued question throughout the film of whether or not the events that Maggie details in those seven minutes actually happened. Are they byproducts of the parts of herself that she gave to David in his kindnessnes, memories that have been twisted and tainted to take on the face of an even more sinister level of abuse? Did they happen at all?
Like any good thriller, Resurrection wants us to wonder, to keep us guessing about the reality of it all. But the genius thing about the film, and particularly Hall’s performance, is that it works just as well if you never once question what was recounted In that monologue. Perhaps it’s my own experiences with a manipulative and emotionally abusive relationship in my past—far lighter compared to the scriptural atrocities of Maggie’s—but it didn’t occur to me to challenge the veracity of her tale. Ours is a world where very fucked up things happen to people who never could’ve invited them—is Maggie’s story really so unbelievable?
Over two decades later, the untenable horror of what Maggie went through has sunken deep into her bones. It’s primal, and David’s presence has flipped a switch that cannot be turned off again. The twists that Resurrection takes after Hall’s monologue, particularly its confounding ending, lend themselves to more debate. But that astounding one-take, seven-minute monologue is a feat that is undeniable. If there’s any justice, it will be more than enough to get Rebecca Hall the awards recognition she has so long deserved.